The “White Lily” is related to the “Gate Into Aether”, the resulting upward splash of drops from the placement of the “Utopic Vessel” in the Pacific Ocean. Those drops ‘continue’ to ascend in slow motion, a levitation of waters gathering to themselves in a process of whirling purification. From the mouths of the great rivers and other sources: geysers, waterfalls, holy wells, springs, lakes and seas are gathered into a toroidal infinity comprising all the conditions of water — old and new, polluted and pure, high and low, historic and miraculous, where in the high altitudes above the earth it sublimes as water-crystals, re-entering atmospheric circulation and the flow of earthly waters through the “Diamond Spring” at Yellow Springs, Pennsylvania.
There at the “Diamond Spring” the image of the pouring of the ‘purified waters’ was transformed into sound and broadcast by short wave to the reflective surface of the Moon. Upon their return to earth, the reflected radio waves were captured by a radio telescope in Groton, Massachusetts and synthesized into a sonic hologram at Massachusetts Institute of Technology. (This hologram is the top plate of the “Boundless Cubic Lunar Aperture”.)
“The Seeds of the Infinite Absolute” define and demarcate extremely opposite conditions of ‘infinity’ relative to the larger field of the “Quiet Axis”. The ‘Seed(s) of the Infinite Absolute’ are formed by an elaborate series of processes and distillations over the past 25 years. The shells of the ‘seeds’ are a meld of 12 metals ‘distilled’ at the foot of mount Whitney and ‘poured from the sun’ at twilight. These shells contain an emulsion of the essences of 44 trees, 52 flowers, 36 waters, 32 bloods and 120 hopes. In the ‘Seeds’ all these are brought together into one essential form.
The “Seeds of the Infinite Absolute” are formed by an elaborate series of processes and distillations over the past 25 years. The shells of the ‘seeds’ is a meld of the 12 ‘royal’ metals amalgamated at the foot of mount Whitney and ‘poured from the sun’ at twilight. These shells were cast in Hartford and filled or ‘charged’ with an emulsion of the essences of 44 trees, 52 flowers, 36 waters, 32 bloods and 120 hopes. In each “Seed’ all these are brought together into one essential emulsified form inside a shell made of the 12 ‘royal’ metals.
The twined Seeds are separated on a steep vertical diagonal of 30,000 ft. indicating the edges of the earth crust and human life. The Seeds are forever pulled apart vertically by the enormous pull of gravity – the pull up of zero gravity the pull down of enormous density and gravity.
In the titanic flux of the ”Quiet Axis”(the lager 40 year artwork), centered within the whirling infinities of the “Gate Into Aether”, there is distilled and formed, a twinned seed, which by its nature establishes an entity which is the unit, root, measure, proportion/portion of the single ‘one’ or the absolute unit or measure of this cosmos — its source and end. From this absolute one there unfolds two infinities. In my document “On Infinity” there is established that all infinities are always two – two interacting ‘zippered’ infinities. Therefore, there are two ‘twinned’ Seeds of the Infinite Absolute. This flickering ‘two in one’ is the gravitational center of a nest of infinities. Its pulsation unfolds the flux of both time and space.
In the larger meaning of this specific aspect of the Quiet Axis, these two locations are where the ‘Seeds’ in their both levitational and hyper-gravitational power stitch earthly infinities contained and congealed within them into the larger ‘pull’ of the Absolute, a gentle tugging upon the whole earth, pulling the Earth toward its absolute fulfillment. These two points of connection with the Absolute are linked by a twisting ‘arabesque’ motion, the path of our hovering flight to place the Seeds at their respective sites creating a twisting, whirling, pulsing thread of resonance.