Andrew Ellis Johnson
Wicked Aspirations:
P   A   R   I   T   Y    O R    B   U   S   T

Honoring the dreams of those unfed, providing the belly has no head.

 

Ambrose Bierce, in his DevilÕs Dictionary, defines poverty as Òa file for the rats of reform to gnaw onÓ.  With a similar caustic humor and approach of the devilÕs advocate, Wicked Aspirations: PARITY OR BUST critiques the conditions and consequences of current international economic policies.

 

 

 

An installation for Wright State University Galleries

In the center of the gallery, an up to 16Õ diameter inflated and painted weather balloon (slide #1) is suspended, surrounded with ladders flush against the walls.  Several balloons would be prepared for the exhibit, each covered by a drawing enlarged from a series of accompanying framed images (slide  #9).  Only one balloon would be featured at a time. Viewers must circle the balloon to ÒreadÓ an image abstracted by its magnification and wrapping of the sphere.  They must crouch to see the images of the supplicants and mount the rungs to view that which is craved, thus identifying with the powerful and the disempowered.

 

A series of single and paired framed drawings would complement the central balloon, enlarging the cast of characters involved in global economic relationships.   These works may either surround the suspended balloon or hang on walls slightly apart from it.  In the paired drawings, the lower images (slides #2,3, 4) present Vassals and Tributaries or The Concerned Beneath Mention while the upper images represent Inflated Interests or Expendable Expectations.   The gap between them is made literal by an expanse of mat board.  Tethered Fancies, a series of drawings (slides #5-8) visualize the dreams of the six fabular animals,  a.k.a. the Vassals and Tributaries or The Concerned Beneath Mention.

 

Other allegorical and technical implications of flattened three-dimensional form are addressed in additional drawings.  Popped balloons (slide #10), the remnants of disillusion, may be displayed taxonomically along with the framed drawings.

 

Vassals and Tributaries        Basic Conditionalities          Inflated Interests

or The Concerned Beneath Mention:       or the Assumption of Burden:                 or Expendable Expectations:

(lower friezes)                                                         (total framed combination)                             (upper images)

 

Condemned Crows                                                 Stalking the Countryside (slide#9)           Eradication of Suffering

 

Delusional Dogs (slide #2)                              Bone of Contention                                                Popular Sovereignty

 

Clamorous Cats (slide #3)                                The Lifting of Foreign                                         Reverse Financial Flows

                                                                                          Investment Restrictions

                                                                                          and Hope                               

 

Riotous Rabbits                                                       Carrot and Stick Maneuvers                           Transition to Prosperity

 

Maniacal Monkeys (slides # 4)                     Yes We Have No                                                   Just Compensation

                                                                                          Accountability, We Have No     

                                                                                          Accountability Today    

 

Subjugated Squirrels                                           Post-colonial Shift                                               Alleviation of Odious Debt

                                                                                         To greater dependency

 

 

Andrew Ellis Johnson                                                                                           Annotated Slide List

 

 

Wicked Aspirations:  PARITY OR BUST

 

1.             Ink Wash Test Balloon,  deflated state,

1998, 13Ó x 26Ó

What goes upÉ

 

2.             Vassals and Tributaries: Delusional Dogs, 1998

ink and gouache on paper, 13 3/4Ó x 27 1/2Ó

My dutiful friends await, thereby earning their proper, respected, expectant place.

 

3.             Vassals and Tributaries: Clamorous Cats, 1998

ink and gouache on paper, 13 3/4Ó x 27 1/2Ó

The collective cries too loud not to quiet down.

 

4.             Sketch for Wicked Aspirations: Parity or Bust, 1998

ink on paper, 9Ó x 9Ó

The fulfillment of desire would be too much to bear.

 

5.             Expendable Expectation: Reverse Financial Flow, 1998

ink and gouache on paper, 13 3/4Ó x 27 1/2Ó

The stream, constant or never the same, spawns currents trickling ever up.

 

6.             Expendable Expectation: Transition to Prosperity, 1998

ink and gouache on paper, 13 3/4Ó x 27 1/2Ó

The carrot and stick maneuver is of unidirectional design.

 

7.             Expendable Expectation: Popular Sovereignty, 1998

ink and gouache on paper, 13 3/4Ó x 27 1/2Ó

The bone of contention, the scepter of the governed, remains (distant) until death.

 

8.              Expendable Expectation:  Alleviation of Odious Debt, 1998

ink and gouache on paper, 13 3/4Ó x 27 1/2Ó

No gray matter, the cumulous of brainstorms are but nutty propositions.

 

9.             Vassals and Tributaries: Maniacal Monkeys, (right panel) 1998

ink and gouache on paper, 21Ó x 21Ó

The shoulders of our ancestors bring us ever closer to thee.

 

10.          Vassals and Tributaries: Maniacal Monkeys, (center panel) 1998

ink and gouache on paper, 21Ó x 21Ó

The euphoria of our lamentations, the syncopated measure of our ruin,

keeps everybody hop(e)ing.

 

11.          Vassals and Tributaries: Maniacal Monkeys, (left panel) 1998

ink and gouache on paper, 21Ó x 21Ó

Amidst the squalor of sincerity and the obscenity of our sacrificial state, there remains no business like show business.

 


Andrew Ellis Johnson                                                                                           Annotated Slide List

 

 

Wicked Aspirations:  PARITY OR BUST

 

12.            Vassals and Tributaries: Maniacal Monkeys, (left panel) 1998 (detail)

ink and gouache on paper, 21Ó x 21Ó

This oneÕs for you. 

 

13.            Tethered Fancies:  Carrots to Corinthians or the Fate of Vegetable Money, 1998

acrylic, ink and gouache/paper, 44Óx 131/2Ó

The flourish of Empire, the spiral of sprouts, is never far from compost.

 

14.            Tethered Fancies: Salient Speculation, 1998

acrylic, ink and gouache on paper, 44Ó x 13 1/2Ó

Stability hasnÕt the necessary allure of a forced market killing.

 

15.            Tethered Fancies: A Steady Diet, 1998

acrylic, ink and gouache on paper, 44Ó x 13 1/2Ó

The crowÕs superior vantage arises not from its height, but from the velocity of its flight.

 

16.            Tethered Fancies: Dem Bones Gonna Rise Again, 1998

acrylic, ink and gouache on paper, 44Ó x 13 1/2Ó

The refuge of religion, the insignia of transcendence, nourishes what is truly important for the next life. 

                 

17.            Gores of the Earth as Known to Canine Cartographers, 1998

acrylic, ink and gouache on paper, 18 1/2Ó x 37Ó

These global peelings are demonstrative of the skewing of all descriptive systems to the whims of their makers.

 

18.            Preparing for Disasters That Have Already Come, 1998

acrylic, ink and gouache on paper, 18 1/2Ó x 37Ó

An example highlighting the three-dimensional conversion into the single flattened pictorial plane that is central to the project as a whole.

 

19.            Basic Conditionalities or the Assumption of Burden: Stalking the Countryside, 1998

oil, ink and gouache on paper, 13 3/4Ó x 27 1/2Ó

This is the sole image in the present portfolio that most closely approximates the relationship between the aspirants and their goals as seen on each of the six large inflated balloons.

 

20.          Taxonomic Presentation of Exhibition Slogan ÒParity or BustÓ, 1998

marker on latex, with pins, 13 x 26Ó

                  This is a test example of how ink drawings on broken balloons may be displayed.

 

 

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