|
| Papers,
Panels & Lectures |
| |
|
| 2003 |
MAMA, A Cultural Icon? Paper to be given at the
Popular Culture Association
American Culture Association, April |
| |
Chair, Panel: Art History, Criticism, Theory˜Where Are
We Now? Midwestern College Art Association, Art
Historian Conference, University of Pittsburgh |
| |
"Art History Across Cultures", Academy of Art,
San
Juan, Puerto Rico |
| 2002 |
Panel Chair, Reaching Across International
Boundaries, American Association University Women's
International Congress, November |
| |
The PM Principle: Power, People Politics & Money, CAA
Conference, Philadelphia |
| |
"Faces In America," School of the Visual Arts,
Conference on Remembering, New York, October |
| |
"The PM Principle: Power, People Politics & Money," Central
European Cultural Institute, Budapest, Hungary, October |
| |
"Art Criticism/Theory in a Post, Post Structuralist
Era", Ernst Museum, Budapest, Hungary |
| |
Facing America, Changing of Portraits -Social Shifts &
Technology, Carnegie Mellon University, President‚s
Lecture Series, October |
| 2001 |
Art Criticism, Its Evolution & Role, Carnegie
Museum of Art, November |
| |
An Interplay of Idea, Myth and Reality, School of the
Visual Arts Conference, October |
| |
Passivity & Power-Keys to Change, XXXV Annual AICA
Congress in Zagreb, September |
| |
Portraits in American Society, University of New
York, Prague, May |
| |
The Come Back Kid: Portraits in the USA, 1965-2000,
Art Academy of Prague, May |
| 2000 |
National Endowment for the Arts, and the Lack of
Public Policy, University of Scranton |
| |
Portraiture in America, The Come Back Kid, Smithsonian,
American Art Museum |
| |
Changing Aesthetics in Art & Culture, Cleveland State
University, January |
| |
Evolutions in the America Portrait, Society of
American Culture, Annual Conference, April |
| |
Arts Policy, Museums and Art in the New Millennium,
American University, Spring |
| 1999 |
Transaesthetics within the Postmodern
Enlightenment Project, XXXIII Congress |
| |
International Art Critics, AICA, Warsaw, Poland, June |
| |
Technology and Graphic Arts, Municipal Museum of Art, Hungary,
September |
| |
Art, Technology Shifts, Changes, Challenges, Arizona
State University, November |
| |
Painting in a Kaleidoscopic Era, College Art
Association, Annual Conference, LA. February |
| |
Alternative Careers in the Arts Outside of Teaching,
ARTTABLE Panel, at CAA. |
| |
The Sky is Falling Chicken Little, Content, Context,
ART? Arizona State University, January |
| 1998 |
Art Criticism/Art Writing: The Audience =?
Mid-West College Art Association 60th
Conference, Lexington, KY, October |
| |
Content / Context in Art??, AICA Art, Criticism
Conference, Budapest, Hungary, April |
| |
Panel Chair, Art in Central Europe, Sculpture
International Conference, Chicago, June |
| 1997 |
Shifts in Culture & Art In an Age of Information,
Northern Illinois University, November, |
| |
Farbobjekte, Iso Wagner, Exhibition catalogue,
Stuttgart, Germany, June 1997. |
| |
NEA & Federal Arts Policy, American Architecture & Art:
Art & Theory Since 1945, Panel Chair; San
Antonio, TX, American Culture Association, March 1997 |
| |
"Vandalism, Iconography, & Censorship," College
Art
Association Panel, NY, Feb. |
| |
Technology & Culture, Erie Art Museum Symposium,
February 1997 |
| 1996 |
A Shifting Aesthetic Landscape in Past,
Postmodern Era, AICA Conference, Zagreb, November |
| |
The NEA, Public Policy, and Rise of Figurative Art,
Smithsonian Institution, Archives of American Art,
October 1996 |
| |
The Demise of the NEA & The Return of Political
Figuration, Slippery Rock University, October |
| |
The Rise of Narrative Figuration and the Political
Unrest of the NEA, Ludwig, Museum, Budapest, |
| |
"Transformation: Central Europe and the Post-Modern
Model": at the AICA Conference, Crossroads in Central
Europe Critics & Curators Symposium, Budapest,
Hungary, April |
| |
The Post-Avantgardist in a Past-Post-Modern Era,
College Art Association, Boston, also, Technology in
the Painter's Studio, Panel titled, "Painters Who
Don't Paint, "College Art Association, Boston,
February |
| |
The Return of the Figure in 1980s and the Demise of
the NEA, Midwestern Art Historians, The National
Endowment for the Arts, Politics and Art Policy,
Midwestern Art Historians Conference, Cleveland Museum
of Art, March |
| 1995 |
The Excalating War on culture: The NEA, the
Artist and the Government, School of the Visual Arts,
New York City, panel, September |
| |
The Figure in Postmodernism, Allegheny College,
Meadville, PA, September |
| 1994 |
The Abby Grunewald Lecture, The Post-Modern
Enigma, University of Arizona, Tucson, March |
| |
Boundaries, Aesthetics & Multiculturalism, Ideas From
A Devil's Advocate, Taft Art Museum, Cincinnati,
November |
| |
Contemporary Art & Issues in the USA, Museum of Art,
Bratislava, Slovakia, November |
| 1993 |
Who & What is Killing Art in the Post-Modern Era,
II Biennial Art Conference, Györ, Hungary, November |
| |
Censorship: An Issue Across Disciplines, Leigh
University, March |
| 1992 |
Women in the Arts After Waves I & II, Southern
Alleghenies Museum of Art, November |
| |
Contemporary Art From 1985-1992, Wichita Art Museum,
Wichita Kansas, April. |
| 1991 |
The NEA: The Misunderstood Patron, University of
Iowa Art Museum, Iowa City, April |
| |
What Is Art Criticism and a Critical Dialogue?
Delaware Contemporary Arts Center, January |
| |
Women Artists: Changes From Wave I to III, Brown
University, Providence, November |
| |
Feminism, Art & Women, Rhode Island School of Design,
Providence, April |
| |
The NEA: The Medici Beyond the Potomac, College Art
Association Annual Meeting, Washington, DC., February |
| 1990 |
The Floundering of the Modernist Movement:
1965-1975, Albright College |
| |
Post-Minimalism and the Art of Barry Le Va, Neuberger
Art Museum, Purchase, NY |
|