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| Publications |
| The focus of my scholarship
and curatorial activities has been on Post-1945 art. I have
taught a range of classes including Roots in Modernism: 19th
Century Art, Art From 1965-Present, The History of Women
In Art, 19th-20th Century Painting and Sculpture, and the
History of Photography from 1839 to the present, High & Low
Culture, Critical Theory and Visual Culture. In addition,
I have made it a point to travel extensively throughout Europe
and Eastern Europe in order to acquaint myself with Europe's
great museums and collections and to experience other people
and cultures. During the past several years I have spent
time in Central Europe; the Czech Republic, Hungary and Slovakia.
I have given two papers in Budapest -- one at Critics and
Scholars Symposium, sponsored by the Association International
Critics of Art and one at the Ludwig Museum. In the spring
of 2001 on an IREX Travel Research Grant, I spent time in
the Czech Republic and Hungary. In Prague and Budapest I
interviewed colleagues as well as gave talks at the universities
and art academies. |
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| 2002 |
"Into the Light: A Conversation
with James Turrell" - Sculpture, November |
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An Eloquent Hybrid of Nature & Culture, Essay for
Museo de Arte Contemporaneo de Oaxaca, Mexico |
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"Artists In A New Era," Grapheion, Prague, Czech
Republic, Special Issue, Fall |
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Eugene Smith Review, Art On Paper, May |
| 2001 |
The Enchantment of Sarah
Stengle: A Sequence of Occurrence, Essay for exhibition catalogue,
Lehigh
Unviersity |
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4 Essays contributed to the
5th Contemporary Arts
Volume [Nancy Spero, Vito Accounci, Ursula Von
Rydingsvard, Miroslav Rogala,, Alex Katz] |
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Miroslaw Rogala-A Techno
Poet of Time, Place, Self,
essay in retrospective exhibition catalogue for
Contemporary Museum of Art, Warsaw, Poland |
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Facing America, Portraiture
and Its Changes, Under
review for publication in an anthology about portraits
for the Research Cultural Institute of Budapest. |
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"Favorable Light," Washington
Post, April 15, 2001 |
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"Otis Laubert: Magician
of the Everyday," in a book
titled Otis Laubert, by Jana Gerzova, National Art
Gallery, Bratislava, Slovakia |
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"Martha Rosler, Positions
in the World," Graphieon,
Fall |
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"Lucien Freud, Etchings, " Graphieon,
Fall |
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"New Tate Modern: A
Revisionist Venture in Context," Profil, Bratislava |
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"Changing Aesthetics
and the Post-Modern Model," Anthology
of essays from a symposium on culture and technology, Cleveland
Institute of Art |
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Book Review of Signifying
Art by Marjorie Welish,
College Art Association‚s Electronic Journal, Spring |
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Painting in a Kaleidoscopic
Era, " Art Criticism, SUNY
Stony Brook, New York, (Under review) |
| 2000 |
Afterimage: Drawing Through
Process, Graphieon,
and January/February |
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"Transaesthetics Within
a Post-Modern Enlightenment
Project," Vol. 1, Grapheion, Prague, Czech Republic |
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"Magdalena Jetelova,
Enigmatic Poet of Time and
Place," Sculpture, May 2000 |
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"1999 Venice Biennale," Pittsburgh
Post-Gazette, July |
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"Portraiture, Shifting
Grounds and Attitudes," Journal
of American Culture, Bowling Green Popular Press,
(Under review) |
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Karol Weisslechner & Vladimír
Kordos 2 Views of Slovak
artists, Spring issue Sculpture |
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Museum Emporium of Global
Culture, 53rd Carnegie
International Sculpture, Spring |
| 1999 |
St.James Dictionary,Contemporary
Women Artists (3
essays: Mary Miss, Dorothea Rockburn, & Martha Rosler)
Alan Rath‚s Techno Anthropoids, Sculpture, January |
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Richard Rezac, Sculpture,
June |
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New Tools & Open Windows,
in 5th, International
Biennial of Drawing and Graphic Arts exhibition,
catalogue, Györ, Hungary, September |
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Farbobjekte, essay in Iso
Wagner exhibition catalogue,
Germany, Spring |
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Venice Bienniale, critical
review for the Pittsburgh
Post-Gazette, July |
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Sketch Everything and Keep
Your Curiosity Fresh:
Sargent Drawings Fresh, the Corcoran Gallery of Art,
Art on Paper, Vol. 4, No. 1, September / October |
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Diane Samuels, Grapheion,
Fall |
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Digital Traces: Navigating
Interactive Domains,
Sculpture, November |
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Marek Chlanda, {Krakow Poland
retrospective),
Sculpture, December |
| 1998 |
Bill Viola, Sculpture, July/August
Enterprise, Sculpture, February |
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Fictional Theatricality in
Cyber Space, Jersey City
Museum exhibition catalogue for White, Martin Beck
Paintings |
| 1997 |
Mattress Factory at
20: The Jewel In Pittsburgh‚s
Crown, Sculpture, Dec. |
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"Art in a Kaleidoscopic
Era," in After the Fall
Aspects of Abstract Painting since 1970, edit. |
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Lilly Wei, exhibition catalogue,
Newhouse Center for
Contemporary Art, Staten Island. |
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All The Room's a Stage,
Sculpture, January |
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C3, New Technology, Budapest,
Sculpture, April |
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Interior, A sampler of Hermetic
Interiorty, Sculpture
July, |
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The Post-Modern EnigmaWho & What
Is Killing Art, Art
Criticism, Edt. Donald Kuspit, SUNY Stonybrook, New
York Spring |
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Transformations: Central
Europe and the Post-Modern
Model, in Crossroads in Central-Europe / Ideas,
Themes, Methods and Problems of Contemporary Art and
Art Criticism, Budapest, Hungary, International
Association of Art Critics, Hungarian Chapter |
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Dictionary of Women Artists,
Fitzroy Dearborn, London
&
Chicago, (Four essays-Elizabeth Murray, Dorothea
Rockburne, Martha Rosler and Bernice Abbott). |
| 1996 |
ART ON THE BRINK, essay
in the Master of Graphic
Arts III Biennial, Györ, Hungary |
| 1995 |
The Whitney Biennial
Celebrates Just Plain Art,
Cincinnati Enquirer, April 2 |
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Elaine A. King: More art
than zeitgeist at
International, Focus, Vol. 25, No. 2 December |
| 1994 |
Light Into Art, From
Video to Virtual Reality,
Booklet of the same title, The Contemporary Arts
Center |
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"An Infinite Menu of
Choices: The Figure As Fiction," in
The Figure As Fiction, The Contemporary Arts Center, Cincinnati,
January |
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"Architecture/Art," in
The Architect's Dream, The
Contemporary Arts Center, and January |
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"The Post-Modern Enigma,
Who & What Is Killing Art," PROFIL,
(In Slovak only) April, 1994, Bratislava, Slovakia |
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