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| Reviews |
| |
|
| 2002 |
Eugene Smith Review, Art On Paper, May |
| 2001 |
"Favorable Light," Washington Post, April 15, 2001 |
| |
"Martha Rosler, Positions in the World," Graphieon,
Fall |
| |
"Lucien Freud, Etchings, " Graphieon, Fall |
| |
Painting in a Kaleidoscopic Era, " Art Criticism, SUNY
Stony Brook, New York, (Under review) |
| 2000 |
Afterimage: Drawing Through Process, Graphieon, and January/February |
| |
Karol Weisslechner & Vladimír Kordos 2 Views of
Slovak
artists, Spring issue Sculpture |
| |
Museum Emporium of Global Culture, 53rd Carnegie
International Sculpture, Spring |
| 1999 |
Venice Bienniale, critical review for the Pittsburgh Post-Gazette,
July |
| |
James Welling, Grapheion, Spring |
| |
Sketch Everything and Keep Your Curiosity Fresh: Sargent
Drawings Fresh, the Corcoran Gallery of Art, Art on Paper,
Vol. 4, No. 1, September / October |
| |
Diane Samuels, Grapheion, Fall |
| |
Digital Traces: Navigating Interactive Domains,
Sculpture, November |
| |
Marek Chlanda, {Krakow Poland retrospective),
Sculpture, December |
| 1998 |
Bill Viola, Sculpture, July/August Enterprise, Sculpture,
February |
| 1997 |
All The Room's a Stage, Sculpture, January |
| |
C3, New Technology, Budapest, Sculpture, April |
| 1995 |
The Whitney Biennial Celebrates Just Plain Art,
Cincinnati Enquirer, April 2 |
| |
Elaine A. King: More art than zeitgeist at
International, Focus, Vol. 25, No. 2 December |
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